a common everyday approach after Erickson

- easy hypnosis contents
- easy hypnosis contents
- an introduction
- 1] laying some easy foundations for easy hypnosis
- welcome to module 1
- what is hypnosis?
- a generic invitation into hypnosis
- a generic invitation into hypnosis - an example
- fail-safe invitation into hypnosis - an example
- using likes as an invitation into hypnosis
- using likes as an invitation into hypnosis - an example
- conversational hypnosis
- conversational hypnosis - a demonstration
- using a previous experience as an invitation into hypnosis
- using a previous experience as an invitation into hypnosis - a demonstration
- catalepsy - what is it and how can we use it?
- arm levitation
- hypnosis as a mood - an invitation through expectancy
- introducing hypnosis to a client
- setting the mood - incorporating external sounds
- setting the mood - incorporating client concerns
- setting the mood - incorporating therapist concerns
- 2] creating easy elements
- 3] creating an easy session format
- 4] easy stories
what stories?
Stories are a part of our human condition from prehistory, predating written language.
Stories are in themselves entrancing. All we need to do is watch a child becoming engrossed in listening to a story, or recognise our own experience as we become involved in reading a book, watching a movie, or listening to a friend speak about their experience - telling their story.
Stories also are self-contained, They don't require a specific response. They don't demand any particular action on our part. They invite a focused and absorbed experience where we can become less attached to our usual perspective which will have its limitations, and visit another world of experience, another view of something which may be familiar, but which in the experience of the story, appears an a novel way, from the novel perspective which the story invites us into.
When we listen to a story, we know it's "just a story" so we can be open to it, and to any message that it may contain. There is no compulsion, no obligation, no advice - "it's just a story".
One of my teachers said that for him, books were dangerous, because there was no way of knowing how the reading would change the reader. I remember being surprised by his comment, but have come to appreciate what he was pointing to, as an opportunity to invite change in our clients' experience so they can let go of some of their rigidities which keep any problem in place, and invite a softening, an opening, a widening of a narrow perspective so that new options, new possibilities can have the opportunity to appear, be seen, and influence our experience.
I like to think of stories as a further extension of indirect language. We can offer a client an idea by translating it into an invitation - "Perhaps you could ...", or "I don't know when you'll be ready to ..." and we can also offer a story where this idea is expressed within the fabric of the story.
My Irish ancestors say "Sometimes the longest way round is the shortest way home", reminding us that issuing a command "Just stop it!" won't necessarily lead to the desired outcome, and may even push a client further into their defensive corner where they can bunker down or come out fighting as a reaction to being subjected to such a force.
When we appreciate the potential benefit of stories for our clients, we still have to explore how we can find stories, and how we can have the stories be most useful for each individual client.
After my time learning with Milton Erickson it became obvious to me that to follow his principles of offering alternatives rather than forcing some standard answer, I would need to be able to tall stories, and ... I knew I couldn't do that. I KNEW that I was not a story teller. I read books and went to workshops in an attempt to learn, but nothing clicked for me. I felt paralysed in my permanent defect.
Michael Yapko commented that too often, stories were left like abandoned babies at the door of the unconscious mind, hoping to be taken in. His comment connected with me, and added to my dilemma. Not only could i not find a story, but if I did, would it be a useful story.
Then I had an epiphany! The question "What's missing?" or "What are you overlooking?" or "What do you want from our work together?" which created a delightfully relevant direction for any hypnotic session, could also give just as delightfully relevant direction for a story.
If we can discover what might be missing for a client, it becomes obviously useful to help us to find it. And ... if we can build on this discovery, we can create with a story about a client, or some experience from life, where whatever might be missing for this individual client ... was found!
This discovery was a huge relief for me, and I invite you to play with this in case it is helpful for you to find a story, and to formulate a story to be more relevant to each individual client, adding to our effectiveness and satisfaction.
We will explore details in the next post, but I wanted to lay out the background first.
Could you leave a comment about your response to what I have written? How this might be helpful? What might still remain as an obstacle for you?
Until the next post ...
Rob
13 comments so far

You have evidently done a fine job in correcting what was missing with story-telling.
I immersed myself in creative writing in the '80s and '90s, pouring much of my considerable creative energy into writing short stories and some poetry, alongside being a key member of a writing group (in Adelaide), including being on committee and acting as chief critic.
Since moving to Sydney, much of my creative energy has had to go into my real life, and I am therefore a recovering writer. But to weave the concerns and likes of clients into stories ? Sounds great to me.
I enjoyed the reference to past times where the problem was indeed a problem. Yet with time, patience and openess, things change and will eventually remain that way.
A great learning for me has been experiencing this within the context of our supervision sessions. I know when you're doing it -well, for the most part- yet it doesn't matter, the story or anecdote still resonates and finds a place to settle in.
And because stories are dissociated by nature (I knew this guy that...) they're safe, un-threatening and tend to sneak in and seed themselves. And they're warming by nature, draped with colour and nuance, which makes the mind more open to welcoming them. So, I imagine there might be this therapist you're supervising, let's say situated in Sydney for argument's sake, who could begin to increase his experimentation with his clients at a comfortable rate and in a natural way, which would suit his tortoise-like learning abilities that allow him to arrive somewhere more quickly by taking that long route...

Participating to the interactive session was fine, but reading this note and listening to you on the video tape are really very complementary. Indeed, you make things very clear and it is easy to grasp how much this story telling process belongs to the history of hypnosis and has proven to be efficient. The three types of story offer a widely opened palette of possibilities. It remains to each of us to activate the software! Thank you very much for your teaching and looking forward to the next week session. Marcel CHATEL
I love this approach. Certainly it works better on me than other options. I look forward to being able to learn how to master this myself.
I love the subtle yet powerful story approach, because it can create a positive experience and open up doorways to possibilities and new connections- linking, inviting or making room for the client, friend, colleague's inner abilities and resources to fill in what may have been perceived as missing.